I cannot begin to tell you all how excited I am right now! Ever since I learned that Rigoberto González choose my book as this year's winner of the Zone 3 Press First Book Award, my joy has been growing exponentially.
Congrats, Amanda Auchter!
is the Love Child of Robert Hayden and Federico García Lorca.
About Me
- Eduardo C. Corral
- Eduardo C. Corral is a CantoMundo fellow. He holds degrees from ASU and the Iowa Writers' Workshop. His work has appeared or is forthcoming in Beloit Poetry Journal, jubilat, New England Review, Ploughshares, Poetry, and Post Road. His work has been honored with a "Discovery"/The Nation award and residencies from The MacDowell Colony and Yaddo. He has served as the Olive B. O'Connor Fellow in Creative Writing at Colgate University and as the Philip Roth Resident in Creative Writing at Bucknell University. He's the interview editor for Boxcar Poetry Review. He won the 2011 Yale Series of Younger Poets competition.
Tuesday, August 31, 2010
Sunday, August 29, 2010
bits and bits and more bits
ouch indeed: "The Madonnas of Echo Park" is a huge step backward for Chicano literature. It appears to have been written without knowledge of a long and proud literary tradition that has moved beyond easy representations of La Raza as "illegal aliens," hustlers, gangsters and suffering mothers.
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i know it's months away, but i can't wait for awp dc. i can't wait to say hi to many of you. i can't wait to run away from many of you.
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hola, g.c. waldrep!
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i can help other poets come up with titles for their manuscripts, but i can't help myself: I've been trying for a year to retitle my manuscript but so far...nothing, nada, double nothing. i still have the same title. sigh.
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congrats, tomás q. morin!
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i will be visiting nyc this upcoming winter! yes. yes. yes.
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the branch will break. sometimes.
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i want to kiss some of my poems. i want to kick some of my poems in the balls. is that normal?
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are you cute? i think you are cute.
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brian teare: torn text
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i know it's months away, but i can't wait for awp dc. i can't wait to say hi to many of you. i can't wait to run away from many of you.
*
hola, g.c. waldrep!
*
i can help other poets come up with titles for their manuscripts, but i can't help myself: I've been trying for a year to retitle my manuscript but so far...nothing, nada, double nothing. i still have the same title. sigh.
*
congrats, tomás q. morin!
*
i will be visiting nyc this upcoming winter! yes. yes. yes.
*
the branch will break. sometimes.
*
i want to kiss some of my poems. i want to kick some of my poems in the balls. is that normal?
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are you cute? i think you are cute.
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brian teare: torn text
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Friday, August 27, 2010
YouTube: Seth Abramson: MFA Application/ Program Advice
On MFA Funding (Part I)
On Applying to MFA Programs (Part I)
On Workshopping (Part I)
On Faculty (Part I)
Seth must've been a Physical Education Teacher in a past life. Check out all those sporty t-shirts/ hoodies!
On Applying to MFA Programs (Part I)
On Workshopping (Part I)
On Faculty (Part I)
Seth must've been a Physical Education Teacher in a past life. Check out all those sporty t-shirts/ hoodies!
friday bits
peter campion: over greenland
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here's the table of contents for the norton anthology of latino literature.
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starting in september the new england review will be accepting electronic submissions.
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thank you, robert vasquez. your kind words mean a lot to me.
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On one of her trips back to the Mississippi Gulf Coast after Hurricane Katrina, Pulitzer Prize-winning poet Natasha Trethewey noticed a sign in front of a Baptist church emblazoned with this command: "Believe the report of the Lord. Face the things that confront you
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i just ate an an eclair. now i feel sick.
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small press spotlight: aaron michael morales.
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i am willing to pay for it.
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here's the table of contents for the norton anthology of latino literature.
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starting in september the new england review will be accepting electronic submissions.
*
thank you, robert vasquez. your kind words mean a lot to me.
*
On one of her trips back to the Mississippi Gulf Coast after Hurricane Katrina, Pulitzer Prize-winning poet Natasha Trethewey noticed a sign in front of a Baptist church emblazoned with this command: "Believe the report of the Lord. Face the things that confront you
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i just ate an an eclair. now i feel sick.
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small press spotlight: aaron michael morales.
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i am willing to pay for it.
Thursday, August 26, 2010
bits
i am being left behind. most of my classmates have at least one book out. most of them are teaching. and me? cue the rolling tumbleweeds!
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i am placing all my eggs in one basket: my first book. this scares the sh*t out of me.
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asleep at the wheel. the story of my life.
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revision, revision.
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talent isn't enough. not these days. talent is not enough. talent is not enough.
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i have a new motto.
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flashforward a year: my first book is out. and then....
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the eggs in the basket are already starting to crack.
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i am placing all my eggs in one basket: my first book. this scares the sh*t out of me.
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asleep at the wheel. the story of my life.
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revision, revision.
*
talent isn't enough. not these days. talent is not enough. talent is not enough.
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i have a new motto.
*
flashforward a year: my first book is out. and then....
*
the eggs in the basket are already starting to crack.
*
Wednesday, August 25, 2010
Tuesday, August 24, 2010
Monday, August 23, 2010
Sunday, August 22, 2010
turning a manuscript into a first book: alberto rios
1. Finding the Book
2. Organization Strategies
3. Write an Abstract
4. Finish the Book
5. Length
6. Titles
7. Epigraphs
8. Appearance and Format
9. A Book Ready to Go
2. Organization Strategies
3. Write an Abstract
4. Finish the Book
5. Length
6. Titles
7. Epigraphs
8. Appearance and Format
9. A Book Ready to Go
one of my favorite poems
WATER
If I were called in
To construct a religion
I should make use of water.
Going to church
Would entail a fording
To dry, different clothes;
My litany would employ
Images of sousing,
A furious devout drench,
And I should raise in the east
A glass of water
Where any-angled light
Would congregate endlessly.
Philip Larkin
If I were called in
To construct a religion
I should make use of water.
Going to church
Would entail a fording
To dry, different clothes;
My litany would employ
Images of sousing,
A furious devout drench,
And I should raise in the east
A glass of water
Where any-angled light
Would congregate endlessly.
Philip Larkin
Thursday, August 19, 2010
Two Interviews/ Sampsonia Way
Brenda Cárdenas:
The United States’ literary world would have ignored Latino writing and kept it always in the margins without the help of institutions like Letras Latinas and presses like Bilingual Review Press or Arte Publico Press.
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Carl Phillips:
Even the position of prayer could be the position used to give someone a blow job.
The United States’ literary world would have ignored Latino writing and kept it always in the margins without the help of institutions like Letras Latinas and presses like Bilingual Review Press or Arte Publico Press.
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Carl Phillips:
Even the position of prayer could be the position used to give someone a blow job.
bits

...García Lorca was shot and killed by Nationalist militia on 19 August 1936.
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The weeping of the guitar
begins.
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martha silano has a cover for her upcoming book.
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from poets & writers: the top 50 mfa programs in the country.
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allison benis white: Organizing the book was difficult for me, to put it mildly. It was like working out a giant math problem, and I suck at math.
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Oh, guitar!
Heart mortally wounded
by five swords.
Wednesday, August 18, 2010
Tuesday, August 17, 2010
bits
telephone: a new translation journal.
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have i told you how hot it is in southern arizona these days? it hurts to walk outside.
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The author should withhold some information—to protect his or her own privacy and, just as importantly, to respect the reader’s ability to fill in the blanks. Other than that, no, there are no borders. But the writing must be good. And the goal should be art for art’s sake, not shock for shock’s sake.
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is it too late for me to have a quinceañera? i like high-heeled shoes.
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Eight out of every 100 Chicano students will graduate from a college with a Bachelors degree, compared to 26 out of every 100 white students, according to the U.S. Census Bureau.
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i'm working on a quinceañera poem. a porcelain doll makes an appearance. cue the horror movie music!
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i can't get enough of david trinidad these days. i so envy his poems.
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kevin a. gonzález is coming to my quinceañera. don't be jealous, haters.
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karla kelsey reviews christian hawkey.
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popsicles!
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have i told you how hot it is in southern arizona these days? it hurts to walk outside.
*
The author should withhold some information—to protect his or her own privacy and, just as importantly, to respect the reader’s ability to fill in the blanks. Other than that, no, there are no borders. But the writing must be good. And the goal should be art for art’s sake, not shock for shock’s sake.
*
is it too late for me to have a quinceañera? i like high-heeled shoes.
*
Eight out of every 100 Chicano students will graduate from a college with a Bachelors degree, compared to 26 out of every 100 white students, according to the U.S. Census Bureau.
*
i'm working on a quinceañera poem. a porcelain doll makes an appearance. cue the horror movie music!
*
i can't get enough of david trinidad these days. i so envy his poems.
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kevin a. gonzález is coming to my quinceañera. don't be jealous, haters.
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karla kelsey reviews christian hawkey.
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popsicles!
Sunday, August 15, 2010
Thursday, August 12, 2010
one of my favorite poems
Psalm and Lament
In memory of my mother (1897-1974)
Hialeah, Florida
The clocks are sorry, the clocks are very sad.
One stops, one goes on striking the wrong hours.
And the grass burns terribly in the sun,
The grass turns yellow secretly at the roots.
Now suddenly the yard chairs look empty, the sky looks empty,
The sky looks vast and empty.
Out on Red Road the traffic continues; everything continues.
Nor does memory sleep; it goes on.
Out spring the butterflies of recollection,
And I think that for the first time I understand
The beautiful ordinary light of this patio
And even perhaps the dark rich earth of a heart.
(The bedclothes, they say, had been pulled down.
I will not describe it. I do not want to describe it.
No, but the sheets were drenched and twisted.
They were the very handkerchiefs of grief.)
Let summer come now with its schoolboy trumpets and fountains.
But the years are gone, the years are finally over.
And there is only
This long desolation of flower-bordered sidewalks
That runs to the corner, turns, and goes on,
That disappears and goes on
Into the black oblivion of a neighborhood and a world
Without billboards or yesterdays.
Sometimes a sad moon comes and waters the roof tiles.
But the years are gone. There are no more years.
Donald Justice
In memory of my mother (1897-1974)
Hialeah, Florida
The clocks are sorry, the clocks are very sad.
One stops, one goes on striking the wrong hours.
And the grass burns terribly in the sun,
The grass turns yellow secretly at the roots.
Now suddenly the yard chairs look empty, the sky looks empty,
The sky looks vast and empty.
Out on Red Road the traffic continues; everything continues.
Nor does memory sleep; it goes on.
Out spring the butterflies of recollection,
And I think that for the first time I understand
The beautiful ordinary light of this patio
And even perhaps the dark rich earth of a heart.
(The bedclothes, they say, had been pulled down.
I will not describe it. I do not want to describe it.
No, but the sheets were drenched and twisted.
They were the very handkerchiefs of grief.)
Let summer come now with its schoolboy trumpets and fountains.
But the years are gone, the years are finally over.
And there is only
This long desolation of flower-bordered sidewalks
That runs to the corner, turns, and goes on,
That disappears and goes on
Into the black oblivion of a neighborhood and a world
Without billboards or yesterdays.
Sometimes a sad moon comes and waters the roof tiles.
But the years are gone. There are no more years.
Donald Justice
Was my MFA worth it?
Lev Raphael:
I enjoyed the company of my fellow students in what was in effect a giant writers group. Were they all good writers or even good critics of each other's work? No. But the enthusiasm for writing and reading was powerful. I can still remember finding a friend at lunch who was glowing because she'd been reading Richard Wilbur's "The Mind-Reader."
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*
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Brian Spears:
But the program as a whole was worth it for a few important reasons. The first is that the Arkansas program is a long program–60 hours if you come in with a Bachelor’s degree. That’s four years, fully-supported if you want to teach. That’s a lot of time to develop as a writer, and man did I need it. I don’t think I started doing anything approaching marginal work until my third year; I exploded in my fourth.
I enjoyed the company of my fellow students in what was in effect a giant writers group. Were they all good writers or even good critics of each other's work? No. But the enthusiasm for writing and reading was powerful. I can still remember finding a friend at lunch who was glowing because she'd been reading Richard Wilbur's "The Mind-Reader."
*
*
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Brian Spears:
But the program as a whole was worth it for a few important reasons. The first is that the Arkansas program is a long program–60 hours if you come in with a Bachelor’s degree. That’s four years, fully-supported if you want to teach. That’s a lot of time to develop as a writer, and man did I need it. I don’t think I started doing anything approaching marginal work until my third year; I exploded in my fourth.
Tuesday, August 10, 2010
Monday, August 09, 2010
3 good things
But it’s Monday, the beginning of a new long week. We need some happy thoughts. Rather than put people down, let’s life a few people up and make a list of underrated writers for a bright new week.
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chris o. cook reviews james shea
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*
So, overall, I probably lost, even after selling over 100 books, about $300 to $400 for gas and other expenses.
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chris o. cook reviews james shea
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So, overall, I probably lost, even after selling over 100 books, about $300 to $400 for gas and other expenses.
Friday, August 06, 2010
to-do list
1. put together a chapbook manuscript for an editor who has kindly asked to see some work.
2. try the new pecan/ apple salad at wendy's.
3. order and read paul legault's the madeleine poems
4. start a new poem.
5. work up some interview questions for a boxcar interview.
6. try not to drool over paul legault's author photos.
7. wait for the academy of american poets to announce the judge for the 2010 walt whitman award.
8. send less time at starbucks.
9. kiss a fool.
10. fill out two more colony applications.
11. wait for pima road notebook to come out. gosh, i've been waiting and waiting for this book.
12. be more flamboyant.
2. try the new pecan/ apple salad at wendy's.
3. order and read paul legault's the madeleine poems
4. start a new poem.
5. work up some interview questions for a boxcar interview.
6. try not to drool over paul legault's author photos.
7. wait for the academy of american poets to announce the judge for the 2010 walt whitman award.
8. send less time at starbucks.
9. kiss a fool.
10. fill out two more colony applications.
11. wait for pima road notebook to come out. gosh, i've been waiting and waiting for this book.
12. be more flamboyant.
triquarterly online
three mini-reviews:
Catie Rosemurgy, Stephen Dobyns, and Nick Lantz
poems by:
Ted Mathys (he's freaking hot!)
D.A. Powell
Neil de la Flor & Maureen Seaton
and others!
fiction by:
Thisbe Nissen
Antonya Nelson
and others!
Catie Rosemurgy, Stephen Dobyns, and Nick Lantz
poems by:
Ted Mathys (he's freaking hot!)
D.A. Powell
Neil de la Flor & Maureen Seaton
and others!
fiction by:
Thisbe Nissen
Antonya Nelson
and others!
Thursday, August 05, 2010
Thirteen Ways of Looking at the Poetry Manuscript: Some Ideas on Creation and Order by Jeffrey Levine
7.
Make sure the poems that begin your collection establish the voice and credibility of the manuscript. They should introduce the questions, issues, characters, images, and sources of conflict/tension, etc., that concern you and that will be explored in the book. Think about the trajectory of the manuscript: you want to set the reader off on a journey, a path toward some (even if undisclosed) destination, but forget about "arc." The notion of "arc" is, in my opinion, too willful to be successful in any artistic undertaking. Make the book work, and then let others talk about your "arc."
8.
Just because a poem has been previously published does not mean that you are required to leave it alone. Rethink, re-enter, and if possible, re-vision each poem as if the Paris Review had never taken it.
Make sure the poems that begin your collection establish the voice and credibility of the manuscript. They should introduce the questions, issues, characters, images, and sources of conflict/tension, etc., that concern you and that will be explored in the book. Think about the trajectory of the manuscript: you want to set the reader off on a journey, a path toward some (even if undisclosed) destination, but forget about "arc." The notion of "arc" is, in my opinion, too willful to be successful in any artistic undertaking. Make the book work, and then let others talk about your "arc."
8.
Just because a poem has been previously published does not mean that you are required to leave it alone. Rethink, re-enter, and if possible, re-vision each poem as if the Paris Review had never taken it.
Wednesday, August 04, 2010
Monday, August 02, 2010
my summer soundtrack (for angela poesy)
casiokids: fot i hose
xiu xiu: this too shall pass away (for freddy)
emmanuel: tu y yo
cyndi lauper: don't cry no more
deerhunter: revival
robyn: dancing on my own
arcade fire: sprawl II (mountains beyond mountains)
judy garland: just in time
casiokids: en vill hest
the radio dept: memory loss
wild nothing: gemini
david gray: fugitive
'til tuesday: coming up close
chavela vargas: un mundo raro
casiokids: finn bikkjen
xiu xiu: this too shall pass away (for freddy)
emmanuel: tu y yo
cyndi lauper: don't cry no more
deerhunter: revival
robyn: dancing on my own
arcade fire: sprawl II (mountains beyond mountains)
judy garland: just in time
casiokids: en vill hest
the radio dept: memory loss
wild nothing: gemini
david gray: fugitive
'til tuesday: coming up close
chavela vargas: un mundo raro
casiokids: finn bikkjen
bits and bits
quiero dormir cansado...
*
Slated for publication via an independent press in 2011, we are seeking poems
that celebrate growing up, living in, leaving, or otherwise responding to the trailer
park for an as-yet-untitled anthology. Accepted poets will receive one copy
of the book upon publication as payment.
Send submissions to via attachment
Submit up to five poems in rtf, doc, or docx format
Include author contact information: name, address, phone number, email
Previously published poems are welcome.
Deadline for submissions is February 28th, 2011
*
i'm feeling good about life these days. i'm sitting here at a starbucks and i feel happy.
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tu y yo...
*
Kweli Journal is a new online literary journal established to identify, promote and nurture emerging writers of color. We also seek to expand the audience of authors of color who already have a foothold in the industry. Our mission, as editors and publishers, is to find a broad, international audience for the artists that we publish and the work that we find engaging and uncompromising.
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todo se derrumbo...
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The upright caskets are violent with their exhaust.
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i'm thinking about editing an anthology. i'll probably put out the call for submissions this upcoming fall.
*
i like green straws.
*
*
Slated for publication via an independent press in 2011, we are seeking poems
that celebrate growing up, living in, leaving, or otherwise responding to the trailer
park for an as-yet-untitled anthology. Accepted poets will receive one copy
of the book upon publication as payment.
Send submissions to
Submit up to five poems in rtf, doc, or docx format
Include author contact information: name, address, phone number, email
Previously published poems are welcome.
Deadline for submissions is February 28th, 2011
*
i'm feeling good about life these days. i'm sitting here at a starbucks and i feel happy.
*
tu y yo...
*
Kweli Journal is a new online literary journal established to identify, promote and nurture emerging writers of color. We also seek to expand the audience of authors of color who already have a foothold in the industry. Our mission, as editors and publishers, is to find a broad, international audience for the artists that we publish and the work that we find engaging and uncompromising.
*
todo se derrumbo...
*
The upright caskets are violent with their exhaust.
*
i'm thinking about editing an anthology. i'll probably put out the call for submissions this upcoming fall.
*
i like green straws.
*
Sunday, August 01, 2010
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